My elementary school had an art teacher. Each week the class went to the art room twice for an hour at a time. The art teacher taught us many basic principles. We learned about dimension, texture, line of sight, shading and shadowing, balance and proportion along with many other art elements. But most important, in my opinion, we mastered the color wheel.
Mastery of the concepts put forth by the color wheel is important both in artwork and everyday life. Think about how toddlers dress themselves. Most mix and match with abandon. As adults few can get away with clashing outfits. Homes and workplaces are more pleasant if colors are coordinated. Use of the color wheel can create harmony in our lives.
Basics of the Color Wheel
The primary colors of the color wheel are red, blue and yellow. These three colors combine with each other or with neutral colors to make all known colors. Secondary colors are blends of two of the three colors. These colors are green (yellow and blue) orange (yellow and red) and violet (red and blue.) As kids we used the term purple for violet. The three secondary colors have an equal amount of each pigment.
Tertiary colors are a blend of a primary color with a secondary color. The six colors are yellow-orange, yellow-green, red-orange, red-violet, blue-green and blue-violet. The tertiary colors are placed adjacent to the primary colors on the color wheel.
Values of colors
Value refers to the amount of lightness (or darkness) a color has. This concept is tricky because a color’s surroundings impact its value. The exercise often used in art classes is to use two squares the same color and size surrounded by vastly different colors. The neighboring colors make the squares appear dissimilar. The pictures below illustrate the difference. The orange blocks in the middle are all the same size.
A contrast of color can be achieved by using different values instead of different colors. Thus a monochromatic color scheme (using just one color) can create depth and contrast. One of my favorite artist’s is Quang Ho. In his painting Harmony in Whites, he creates a beautiful stallion. Although there are a few bits of color in the horse tack and some shadowing, the overall impression is one of a white stallion in a white background. Thus a monochromatic color scheme. Yet the horse pops out of the painting as if he is in the room. Both depth and contrast are evident as you can see in the photo.
Warm and Cool Colors
The color wheel divides into warm and cool colors. Yellow and violet are the dividers. The reds stretching from red-violet to yellow-orange are the warm colors. The cool colors are opposite on the wheel and are found from yellow-green to blue-violet. The acrylic painting depicted below is one of cool blue tones with a splash of red for contrast. The warmth of the red adds a spark to the artwork. In the quilt Sophie the Cat is admiring, the overall tone is warm. Again there is some contrast provided with the addition of a cool color.
In both cases, the tone of the contrasting color was important. This is where the color wheel becomes so useful. Knowledge of how the colors combine is critical. Colors directly opposite one another on the wheel are considered complementary colors even though they are contrasting. For example red and green are complementary; think Christmas. The contrasting colors harmonize. However, in some applications complementary colors are difficult for the eye to process. You would not want books of blue pages and orange ink, even if you are a Florida Gator fan.
Analogous colors are colors that are adjacent on the color wheel. Yellow-orange, orange and red-orange are analogous. This blending of colors can be very soothing to the eye but care must be taken so the result is not boring. On the other hand, contrasting between two sets of analogous colors can be quite pleasing to the eye.
Monochromatic schemes are based on one color altered by tints or shades. Tints are created by adding varying amounts of white. Shades are achieved by adding differing quantities of black. Greying occurs by mixing two contrasting colors together. Thus Easter eggs dipped in all the colors becomes a muddied grey/brown depending on the dye colors.
Resources of Color Theory
Unfortunately, many schools today no longer have art teachers and so the task of teaching art falls on the classroom teacher. Time spent on art is also limited so that often the time spent on art is geared toward creativity. Kids need to have creative expression. However, the time constraint can mean art theory is not covered as thoroughly as in the past. Thus, only students who pursue an art education may fully understand the many nuances of the color wheel.
Fortunately there are many sources available for the motivated self-learner. One of my favorite books is a color workbook for quilters. Color and Cloth by Mary Coyne Penders does go beyond the color wheel to include textures and scales. But there is an abundance of color theory. This is a great book for quilters even if they are confident in there color selection.
Another book I own is Color: A Stroke of Brilliance by Leslie Harrington with Joan Mackie. This paperback published by Benjamin Moore Paints is geared toward use of color for interior designs. This has the basics of color wheel theory and has many sections of questions and answers. I refer to this book frequently when working on interiors in commercial locations as well as in my own home.
Finally, in this age of internet, I like several websites. For color theory, visit Tigercolor which does a nice job covering the basics with an option of purchasing ColorImpact. Another site I like and use is Benjamin Moore. I use their Personal Color Viewer when I am working on projects. Simply upload a photo of the room and then follow the instructions to see how color changes the look.
Color theory is ingrained in my being. I love color in nature, in the home and in my work. Please feel free to share how you use color every day.
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