Year One by Nora Roberts surprised me. Perhaps I need to read more of her work, but I tend to think of her writing in terms of romance combined with mystery as in Carolina Moon. I am not sure quite how to categorize Year One. While there are heartfelt relationships, there is not the typical romance plot. So I would not place the book in that genre. Furthermore, this is an ensemble cast. Only towards the end did I realize who the lead characters were.
The novel begins by depicting the start of a pandemic. The virus spreads quickly and is terminal for all infected. Thus, the world faces a die off greater than that of the Black Plague of the 14th Century. Roberts introduces the cast of characters mostly based in New York City as the pandemic gets its’ start.
From the beginning, the author prepares the reader for a departure from everyday characters. Individuals with unworldly powers are a major part of the story line. As such, some suspension of disbelief is required. Although you may already be open to the “Uncanny” as she calls them. For readers skeptical of supernatural powers, Roberts first takes a plausible approach. For example, Jonah, the paramedic, can sense death. Later character introductions stretch both their powers and the reader’s imagination.
Since the virus quickly kills off much of the population, Year One develops into a doomsday/survival story. Those immune to the virus feel compelled to leave the city. Their flights from the city are a large part of the story as some of the Uncanny are evil. Another threat comes from what remains of the government as it begins rounding up some of the survivors.
Roberts does a nice job of foreshadowing. In one instance, a newly introduced character talks of a cleansing of the people. In my case, this turned me off the individual even though he is presented as a good person. Eventually he shows his true colors. I liked how the writer uses both characters and plot to posit the key theme of good vs. evil.
I could describe this book as an action adventure detailing the escape of the characters from doom. Or the book could turn into one of those mid-October reads because of the heavy supernatural theme. However, even with the coupling of some major characters, I did not feel as though the book was a traditional romance where all works out with a happy ending.
Nora Roberts leaves the reader hanging with the ending of Year One since the lead character is separated from the rest in a surprise attack. The book is slated to have multiple sequels which I will look for. I would like to know if the character I bonded with the most managed to survive the battle. Naturally, there is also interest in the lead who escaped, heart-broken but alive, and with the promise of a savior.